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The phrasing is very expressive with sudden ritenutos scattered throughout. The prelude begins with an eighth-note appoggiatura figuration phrased in pairs between a sustained cantus firmus in the bass and a lyrical melody in the soprano.
The and recordings have been reissued on several labels. The prelude sgostakovich composed of a juxtaposition shostakovich 24 preludes and fugues a pesante theme and a lighter quicker theme, the latter quoting a motif from the first movement of Shostakovich’s own 10th symphony. Grady Harp Top Prrludes After The Fall [2 CD].
After a brief interplay between the soprano and alto, the bass is introduced with a statement of the subject, completing the exposition. Intermittently is better than never at all of course, and I’m sure I’d have been happy with Papadopoulos’s set if it wasn’t prelude the Nikolaieva. While the interpretation is mostly slow, sober, and not terribly exciting, Nikolayeva compensates by way of beautiful dynamic nuances and tonal shostakovich 24 preludes and fugues.
Prelude And Fugue No. shosgakovich
To further add to the quaint color of the movement, subito forte and piano are mixed in giving the fugue a frankly chipper tone. It is followed by a three-part fugue with a characteristic theme of sevenths and acciaccaturas.
Examples of this abound in Baroque keyboard literature from composers such as Johann Caspar Ferdinand Fischerfrom whom Bach drew inspiration for his own figuration preludes the C major and the D minor, for example. Unsourced material may be challenged and removed.
Please help improve this article by adding citations to reliable sources. This piece has a clearly defined homophonic texture, with the right hand dominating the melody.
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Much of the piece uses a counter melody against the fugal entries. There’s a problem loading this menu right now. Fortunately, that situation has just changed.
24 Preludes and Fugues (Shostakovich) – Wikipedia
Three preluxes develop with contrasting shostakovich 24 preludes and fugues passages against the staccato. This long double fugue shares a key signature and several features with the last fugue from Bach’s The Art of Fugue. Shostakovich was a lifelong ironist, but here there is no irony. Though not required snostakovich competition regulations, she had come prepared to play any of the 48 preludes and fugues of The Well-Tempered Clavier on request.
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Shostakovich: 24 Preludes and Fugues, Op. 87
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Shostakovich 24 preludes and fugues the selected items together This item: References to and quotations from Bach’s cycle appear throughout the work. Indeed, the Russian composer was motivated to write this huge work after a visit to Bach ‘s home city Leipzig in ; and, in fact, it resurrects the premise behind Bach ‘s “The Well-Tempered Clavier,” providing one prelude and fugue for every major and minor key.
The fugue is a double fugue in four voices with two distinct subjects developed in separate expositions. Shostakovich 24 preludes and fugues subject contains 11 of the 12 semitones available.
For example, his A shostakovicch prelude is a figuration prelude—a prelude in which the same hand position is used throughout the piece.